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It was in the
fall of 1985, during a short season of excavation at the site of the 17th-century
Colony of Avalon, located in Ferryland, Newfoundland, that the unusual
iron object was found in the remains of a forge. It was shaped like a
cross, but the details were completely obscured by a thick layer of corrosion
that had incorporated the gravel and sand of the soil matrix. The director
of the excavation, Dr. James A. Tuck of Memorial University of Newfoundland,
kept the object wet and brought it to the Canadian Conservation Institute
for evaluation.
Preliminary examination
revealed that it was indeed a cross, with a complex structure involving
at least three different metals: iron; a yellow metal with a bright surface;
and a yellow metal with a dull surface. These were analysed by energy
dispersive X-ray spectrometry, which confirmed the presence of iron and
identified the bright yellow metal on the surface as gold and the dull
yellow metal as brass. X-radiography indicated the extent of corrosion.
Treatment of
such a complex object is typically extremely difficult and often never
completely successful, which proved to be the case for this cross. Not
only did it contain three metals, which could interact with each other,
but it also contained chloride contamination from the saline soil in which
it had been found, which would cause it to react with moisture and oxygen.
Chloride ion extraction was attempted but was unsuccessful. Indeed, following
its excavation in 1985, the cross underwent repeated examinations and
a consolidation treatment in an attempt to stabilize its condition. Monitoring
changes in the areas of active corrosion proved to be particularly problematic.
Photography and radiography were used to document change, but it was difficult
to collect accurate, mathematical measurements in the awkward, three-dimensional
(3D) angles and curves.
Despite the best efforts of conservation science
and practice, the cross continued to deteriorate. In 2003, when new cracks
and breaks were observed, it was decided that the only way to prevent
complete loss would be to isolate the cross from water and oxygen. Prior
to enclosing it in a dry, anoxic environment, it would be copied as accurately
as possible so that its existing state and condition could be captured.
An accurate reproduction could also be used to fashion a custom-made support
for the original pieces that would hold them together without adhesives.
Avoiding the use of adhesives on the breaks was important not only because
the breaks were very fragile and could be easily damaged, but
because they had exposed details of construction that would be of interest
to future researchers. Keeping the breaks as pristine as possible, both
to monitor change and facilitate examination by scholars, was one of the
goals of this phase of the conservation treatment.
The first step
in making a copy of the cross was to create a high-resolution 3D colour
digital record using laser scanning technology. This 3D imaging technology
was developed by the National Research Council of Canada and licensed
to Arius3D of Mississauga, Ontario, for commercial application. The scanning
system consists of a laser with a motion control system to move it. The
cross was scanned at the 3D Imaging Centre of the Canadian
Museum of Nature in Gatineau,
Quebec, using the Arius3D system.
Each of the four pieces of the cross was scanned separately, and the scans
combined digitally to produce a master version. The 3D scan captured the
cross in great detail and stands as a permanent electronic record.
Written and published by the Canadian Conservation
Institute by Judith A. Logan, Senior Conservator, Archaeology, CCI;
Robert L. Barclay, Senior Conservator, Objects, CCI; Charlotte Newton,
Senior Conservator, Archaeology, CCI; and Lyndsie Selwyn, Senior Conservation
Scientist, Metals, CCI
Arius3D creates
digital imaging solutions that enable organizations to research, present,
and share unique physical objects in digital form.
The Arius3D three-dimensional
color scanners and the Pointstream imaging software support wide ranging
applications in culture and heritage, research, education, and entertainment. |